Emily (mooseonski) wrote in me_to_play,

The Unnamable Quotes

The Unnamable

(Warning one: This one's pretty long. Warning two: Don't be intimidated by all of the ellipses. They're here because the last third or so of the book has very few sentence breaks.)

Where now? Who now? When now? Unquestioning. I, say I. Unbelieving. Questions, hypotheses, call them that. Keep going, going on, call that going, call that on.

Personally I do not intend to be bored.

Stupid obsession with depth.

Memory notably, which I did not think myself entitled to draw upon, will have its word to say, if necessary. This represents at least a thousand words I was not counting on. I may well be glad of them.

Deplorable mania, when something happens, to inquire what.

The only encounter I ever witnessed, a long time ago now, has never yet been re-enacted. It was perhaps the end of something.

The search for the means to put an end to things, an end to speech, is what enables the discourse to continue. No, I must not try to think, simply utter.

But not so fast. First dirty, then clean.

Unfortunately I am afraid, as always, of going on. For to go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I'll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were for the first time. So there is nothing to be afraid of. And yet I am afraid, afraid of what my words will do to me, to my refuge, yet again.

Nothing like issues.

Mean words, and needless, from the mean old spirit, I invented love, music, the smell of flowering currant, to escape from me. Organs, a without, its easy to imagine, a god, it's unavoidable, you imagine them, it's easy, the worst is dulled, you doze away, an instant . . . Can I keep nothing then, nothing of what has borne my poor thoughts, bent beneath my words, while I hid?

Perhaps I shall be obliged, in order not to peter out, to invent another fairy-tale, yet another, with heads, trunks, arms, legs and all that follows, let loose in the changeless round of imperfect shadow and dubious light.

But this is thinking again. And I see myself slipping, though not yet at the last extremity, towards the resorts of fable. Would it not be better if I were simply to keep on saying babababa, for example, while waiting to ascertain the true function of this venerable organ?

No more perhapses either, that old trick is worn to a thread. I'll forbid myself everything, then go on as if I hadn't.

Case one and two. I'll consider the former first, if I can. Then I'll admire the latter, if my eyes are still open. This sounds like one of Malone's anecdotes. But quick, consider, before you forget.

Idle talk, idle talk, I am free, abandoned. All for nothing again.

One of us at last! Green with anguish! A real little terrestrial! Choking in the chlorophyll! Hugging the slaughter-house walls!

I had no wish to arrive, but I had to do my utmost, in order to arrive. A desirable goal, no, I never had time to dwell on that. To go on, I still call that on, to go on and get on has been my only care, if not always in a straight line, at least in obedience to the figure assigned to me, there was never any room in my life for anything else . . . Never once have I stopped. My halts do not count. Their purpose was to enable me to go on.

Lies, lies, mine was not to know, nor to judge, nor to rail, but to go.

To tell the truth, let us be honest at least, it is some considerable time now since I last knew what I was talking about. It is because my thoughts are elsewhere. I am therefore forgiven. So long as one's thoughts are somewhere everything is permitted. On then, without misgiving, as if nothing had happened.

It's of me now I must speak, even if I have to do it with their language, it will be a start, a step towards silence and the end of madness, the madness of having to speak and not being able to, except of things that don't concern me, that don't count, that I don't believe, that they have crammed me full of to prevent me from saying who I am, where I am, and from doing what I have to do in the only way that can put an end to it, from doing what I have to do. How they must hate me! Ah a nice state they have me in, but still I'm not their creature, not quite, not yet.

But I'll fix their gibberish for them.

Dear incomprehension, it's thanks to you I'll be myself, in the end. Nothing will remain of all the lies they have glutted me with.

They loaded me down with their trappings and stoned me through the carnival. I'll sham dead now, whom they couldn't bring to life, and my monster's carapace will rot off me.

Yes, I represent for her a tidy little capital and, if I should ever happen to die, I am convinced she would be genuinely annoyed. This should help me to live.

Yes, they gave me some lessons in pigsty latin too, it looks well, sprinkled through the perjury.

I could never bear to be idle, it saps one's energy.

And I add, quite carried away, Slough off this mortal inertia, it is out of place, in this society.

It's a question of voices, of voices to keep going, in the right manner, when they stop, on purpose, to put me to the test, as now the one whose burden is roughly to the effect that I am alive. Warmth, ease, conviction, the right manner, as if it were my own voice, pronouncing my own words, words pronouncing me alive, since that's how they want me to be, I don't know why, with their billions of quick, their trillions of dead, that's not enough for them, I too must contribute my little convulsion, mewl, howl, gasp and rattle, loving my neighbor and blessed with reason. But what is the right manner, I don't know. It is they who dictate this torrent of balls, they who stuffed me full of these groans that choke me.

Shall I come upon my true countenance at last, bathing in a smile? I have the feeling I shall be spared this spectacle. At no moment do I know what I'm talking about, nor of whom, nor of where, nor how, nor why, but I could employ fifty wretches for this sinister operation and still be short of a fifty-first, to close the circuit, that I know, without knowing what it means.

I knew it, there might be a hundred of us and still we'd lack the hundred and first, we'll always be short of me. Worm, I nearly said Watt, Worm, what can I say of Worm, who hasn't the wit to make himself plain, what to still this gnawing of termites in my Punch and Judy box, what that might not just as well be said of the other? Perhaps it's by trying to be Worm that I'll finally succeed in being Mahood, I hadn't thought of that. Then all I'll have to do is be Worm. Which no doubt I shall achieve by trying to be Jones. Then all I'll have to do is be Jones. Stop, perhaps he'll spare me that, have compassion and let me stop.

That's it, weave, weave.

How all becomes clear and simple when one opens an eye on the within, having of course previously exposed it to the without, in order to benefit by the contrast.

But enough of this cursed first person, it is really too red a herring, I'll get out of my depth if I'm not careful. But what then is the subject? Mahood? No, not yet. Worm? Even less. Bah, any old pronoun will do, provided one sees through it. Matter of habit. To be adjusted later. Where was I?

If I have said anything to the contrary I was mistaken. If I say anything to the contrary again I shall be mistaken again. Unless I am mistaken now. Into the dossier with it in any case, in support of whatever thesis you fancy.

They hope things will change one day, it's natural. That one day on my windpipe, or some other section of the conduit, a nice little abscess will form, with an idea inside, point of departure for a general infection. This would enable me to jubilate like a normal person, knowing why. And in no time I'd be a network of fistulae, bubbling with the blessed pus of reason. Ah if I were flesh and blood, as they are kind enough to posit, I wouldn't say no, there might be something in their little idea. They say I suffer like true thinking flesh, but I'm sorry, I feel nothing.

I shall not say I again, ever again, it's too farcical. I shall put in its place, whenever I hear it, the third person, if I think of it. Anything to please them.

How physical this all is!

Well, no matter, let's drive on now to the end of the joke, we must be nearly there, and see what they have to offer him, in the way of bugaboos. Who, we? Don't we all speak at once, there's no sense in that either. All will come right, later on in the evening, everything gone and silence restored. In the meantime no sense in bickering about pronouns and other parts of blather. The subject doesn't matter, there is none. Worm being in the singular, as it turned out, they are in the plural, to avoid confusion, confusion is better avoided, pending the great confounding.

And even should his start off, his heart that is, on its waltz, in his ear, tralatralay pom pom, again, tralatralay pom pom, re mi re do bang bang bang, who could reprehend him?

But this grey, this light, if he could escape from this light, which makes him suffer, is it not obvious it would make him suffer more and more, in whatever direction he went, since he is at the centre, and drive him back there, after forty or fifty vain excursions? No, that is not obvious. For it is obvious the light would lessen as he went towards it, they would see to that, to make him think he was on the right road and so bring him to the wall. Then the blaze, the capture and the paean. As long as he suffers there's hope, even though they need none, to make him suffer.

What can one do but speculate, speculate, until one hits on the happy speculation? When all goes silent, and comes to an end, it will be because the words have been said, those it behoved to say, no need to know which, no means of knowing which, they'll be there somewhere, in the heap, in the torrent, not necessarily the last, they have to be ratified by the proper authority, that takes time, it's he who chose them, in the meantime the voice continues, while the messenger goes toward the master, and while the master examines the report, and while the messenger comes back with the verdict, the words continue, the wrong words, until the order arrives, to stop everything or to continue everything, no, superfluous, everything will continue automatically, until the order arrives, to stop everything.

. . . damn the almost . . .

Well I prefer that, I must say I prefer that, that what, oh you know, who you, oh I suppose the audience, well well, so there's an audience, it's a public show, you buy your seat and you wait, perhaps it's free, a free show, you take your seat and you wait for it to begin, or perhaps it's compulsory, a compulsory show, you wait for the compulsory show to begin, it takes time, you hear a voice, perhaps it's a recitation, that's the show, someone reciting, selected passages, old favourites, a poetry matinee, or someone improvising, you can barely hear him, that's the show, you can't leave, you're afraid to leave, it might be worse elsewhere, you make the best of it, you try and be reasonable, you came too early, here we'd need latin, it's only beginning, it hasn't begun, he's only preluding, clearing his throat, alone in his dressing-room, he'll appear any moment, he'll begin any moment, or it's the stage-manager, giving his instructions, his last recommendations, before the curtain rises, that's the show, waiting for the show, to the sound of a murmur, you try and be reasonable, perhaps it's not a voice at all, perhaps it's the air, ascending, descending, flowering, eddying, seeking exit, finding none, and the spectators, where are they, you didn't notice, in the anguish of waiting, never noticed you were waiting alone, that's the show, waiting alone, in the restless air, for it to begin, for something to begin, for there to be something else but you, for the power to rise, the courage to leave, you try and be reasonable, perhaps you are blind, probably deaf, the show is over, all is over, but where then is the hand, the helping hand, or merely charitable, or the hired hand, it's a long time coming, to take yours and draw you away, that's the show, free, gratis and for nothing, waiting alone, blind, deaf, you don't know where, you don't know for what, for a hand to come and draw you away, somewhere else, where perhaps it's worse.

. . . that's right, link, link . . .

. . . tell me what I feel and I'll tell you who I am, they'll tell me who I am, I won't understand, but the thing will be said, they'll have said who I am, and I'll have heard, without an ear I'll have heard, and I'll have said it, without a mouth I'll have said it . . .

Difficult too not to forget, in your thirst for something to do, in order to be done with it, and have that much less to do, that there is nothing to be done, nothing special to be done, nothing doable to be done. No point either, in your thirst, your hunger, no, no need of hunger, thirst is enough, no point in telling yourself stories, to pass the time, stories don't pass the time, nothing passes the time, that doesn't matter, that's how it is, you tell yourself stories, then any old thing, saying, No more stories from this day forth, and the stories go on, it's stories still, or it was never stories, always any old thing, for as long as you can remember, no, longer than that, any old thing, the same old thing, to pass the time, then, as time didn't pass, for no reason at all, in your thirst, trying to cease and never ceasing, seeking the cause, the cause of talking and never ceasing. . . .

. . . so it is, so be it, don't fret, so it will be, how so, rattling on, dying of thirst, seeking determinedly, what they want, they want me to be, this, that, to howl, stir, crawl out of here, be born, die, listen, I'm listening, it's not enough, I must understand, I'm doing my best, I can't understand, I stop doing my best, I can't do my best, I can't go on, poor devil, neither can they, let them say what they want, give me something to do, something doable to do, poor devils, they can't, they don't know, they're like me, more and more, no more need of them, no more need of anyone, no one can do anything, it's I am talking, thirsting, starving. . . .

. . . I'm in words, made of words, others' words, what others. . . .

. . . I'm the air, the walls, the walled-in one, everything yields, opens, ebbs, flows, like flakes, I'm all these flakes, meeting, mingling, falling asunder, wherever I go I find me, leave me, go towards me, come from me, nothing ever but me, a particle of me, retrieved, lost, gone astray, I'm all these words, all these strangers, this dust of words, with no ground for their settling, no sky for their dispersing, coming together to say, fleeing one another to say, that I am they, all of them, those that merge, those that part, those that never meet, and nothing else, yes, something else, that I'm something quite different, a quite different thing, a wordless thing in an empty place, a hard shut dry cold black place, where nothing stirs, nothing speaks, and that I listen, and that I seek. . . .

. . . it's the air, it's things, it's the air among the things, that's enough, that I seek, like it, no, not like it, like me, in my own way, what am I saying, after my fashion, that I seek, what do I seek now, what it is, it must be that, it can only be that, what it is, what it can be, what what can be, what I seek, no, what I hear, now it comes back to me, all back to me, they say I seek what it is I hear, I hear them, now it comes back to me, what it can possibly be, and where it can possibly come from, since all is silence here, and the walls thick, and how I manage, without feeling an ear on me, or a head, or a body, or a soul, how I manage, to do what, how I manage, it's not clear, dear dear, you say it's not clear, something is wanting to make it clear, I'll seek, what is wanting, to make everything clear. . . .

. . . nothing more restful than arithmetic. . . .

. . . I sum up, now that I'm there it's I will do the summing up, it's I will say what it is to be said and then say what it was, that will be jolly, I sum up, I and this noise, I see nothing else for the moment, but I have only just taken over my functions, I and this noise, and what about it, don't interrupt me, I'm doing my best, I repeat, I and this noise, on the subject of which, inverting the natural order, we would seem to know for certain, among other things, what follows, namely, on the one hand, with regard to the noise, that it has not been possible up to date to determine with certainty, or even approximately, what it is, in the way of noise, or how it comes to me, or by what organ it is emitted, or by what perceived or by what intelligence apprehended, in its main drift, and on the other, that is to say with regard to me, this is going to take a little longer, with regard to me, nice time we're going to have now, with regard to me, that it has not yet been our good fortune to establish with any degree of accuracy what I am, where I am, whether I am words among words, or silence in the midst of silence, to recall only two of the hypotheses launched in this connexion, though silence to tell the truth does not appear to have been very conspicuous up to now, but appearances may sometimes be deceptive, I resume, not yet our good fortune to establish, among other things, what I am, no, sorry, already mentioned. . . .

. . . the question may be asked, off the record, why time doesn't pass, doesn't pass from you, why it piles up all about you, instant on instant, on all sides, deeper and deeper, thicker and thicker, your time, others' time, the time of the ancient dead and the dead yet unborn, why it buries you grain by grain neither dead nor alive. . . .

. . . oh I know it's immaterial, time is one thing, I another, but the question may be asked, why time doesn't pass, just like that, off the record, en passant, to pass the time. . . .

Evoke at painful junctures, when discouragement threatens to raise its head, the image of a vast cretinous mouth, red, blubber and slobbering, in solitary confinement, extruding indefatigably, with a noise of wet kisses and washing in a tub, the words that obstruct it.

. . . can it be of me I'm speaking, is it possible, of course not, that's another thing I know, I'll speak of me when I speak no more.

Hearing this voice no more, that's what I call going silent. That is to say I'll hear it still, if I listen hard. I'll listen hard. Listening hard, that what I call going silent . . . Hearing too little to be able to speak, that's my silence.

. . . this is the sign of the end, this having no one left, no one to talk to, no one to talk to you, so that you have to say, It's I who am doing this to me. . . .

. . . there was never anyone, anyone but me, anything but me, talking to me of me, impossible to stop, impossible to go on, but I must go on, I'll go on, without anyone, without anything, but me, but my voice, that is to say I'll stop, I'll end, it's the end already, short-lived, what is it, a little hole, you go down into it, into the silence, it's worse than the noise, you listen, it's worse than talking, no, not worse, no worse, you wait, in anguish, have they forgotten me, no, yes, no, someone calls me, I crawl out again, what is it, a little hole, in the wilderness. It's the end that is the worst, no, it's the beginning that is the worst, then the middle, then the end, in the end it's the end that is the worst, this voice that, I don't know, it's every second that is the worst, it's a chronicle. . . .

Yes, in my life, since we must call it so, there were three things, the inability to speak, the inability to be silent, and solitude, that's what I've had to make the best of.

But it didn't happen like that, it happened like this, the way it's happening now, that is to say, I don't know, you mustn't believe what I'm saying, I don't know what I'm saying, I'm doing as I always did, I'm going on as best I can.

So long as one does not know what one is saying and can't stop to inquire, in tranquillity, fortunately, fortunately, one would like to stop, but unconditionally, I resume, so long as, so long as, let me see, so long as one, so long as he, ah fuck all that, so long as this, then that, agreed, that's good enough, I nearly got stuck.

. . . when questions fail there are always plans . . . when plans fail there are always aspirations. . . . What else, opinions, comparisons, anything rather than laughter, all helps, can't help helping, to get you over the pretty pass, the things you have to listen to, what pretty pass, it's not I speaking, it's not I hearing, let us not go into that, let us go on as if I were the only one in the world, whereas I'm the only one absent from it, or with others, what difference does it make, others present, others absent, they are not obliged to make themselves manifest, all that is needed is to wander and let wander, be this slow boundless whirlwind and every particle of its dust, it's impossible.

. . . to have to try, you don't try any more, no need to try, it goes on by itself, it drags on by itself, from word to word, a labouring whirl, you are in it somewhere, everywhere. . . .

In the end it comes to that, to the survival of that alone, then the words come back, someone says I, unbelieving.

Strange, these phrases that die for no reason, strange, what's strange about it, here all is strange, all is strange when you come to think of it, no, it's coming to think of it that is strange. . . .

. . . I've always been here, here there was never anyone but me, never, always, me, no one, old slush to be churned everlastingly, now it's slush, a minute ago it was dust, it must have rained.

. . . it's the fault of the pronouns. . . .

. . . there's a story for you, I thought they were over, perhaps it's a new one, lepping fresh, is it the return to the world of fable, no, just a reminder, to make me regret what I have lost, long to be again in the place I was banished from, unfortunately it doesn't remind me of anything.

. . . an instant, an hour, and so on, how can they be represented, a life, how could that be made clear to me, here, in the dark, I call that the dark, perhaps it's azure, blank words, but I use them, they keep coming back, all those they showed me, all those I remember, I need them all, to be able to go on, it's a lie, a score would be plenty, tried and trusty, unforgettably, nicely varied, that would be palette enough, I'd mix them, I'd vary them, that would be gamut enough, all the things I'd do if I could, if I wished, if I could wish, no need to wish, that's how it will end, in heart-rending cries, inarticulate murmurs, to be invented, as I go along, improvised, as I groan along, I'll laugh, that's how it will end, in a chuckle, chuck chuck, ow, ha, pa, I'll practice, hyum, hoo, plop, psss, nothing but emotion, bing bang, that's blows, ugh, pooh, what else, oooh, aaah, that's love, enough, it's tiring, hee hee, that's the Abderite, no, the other in the end, it's the end, the ending end, it's the silence, a few gurgles on the silence, the real silence. . . .

. . . you the who. . . .

. . . come back, and begin again, no, go on, go on again, it's a circuit, a long circuit, I know it well, I must know it well, it's a lie, I can't stir, I haven't stirred, I launch the voice, I hear a voice, there is nowhere but here, there are not two places, there are not two prisons, it's my parlour, it's a parlour, where I wait for nothing, I don't know what it is, I don't know what it's like, that's no business of mine. . . .

. . . no need of walls, yes, we must have walls, I need walls, good and thick, I need a prison, I was right, for me alone, I'll go there now, I'll put me in it, I'm there already, I'll start looking for me now, I'm there somewhere, it won't be I, no matter, I'll say it's I, perhaps it will be I. . . .

. . . I'm not suffering enough yet, it's not yet my turn, not suffering enough to be able to stir. . . .

. . . the attempt must be made, in the old stories incomprehensibly mine, to find his. . . .

. . . the voice begins again, it begins trying again, quick now before there is none left, no voice left, nothing left but the core of murmurs, distant cries, quick now and try again, with the words that remain, try what, I don't know, I've forgotten, it doesn't matter, I never knew, to have them carry me into my story, the words that remain, my old story, which I've forgotten, far from here, through the noise, through the door, into the silence, that must be it, it's too late, perhaps it's too late, perhaps they have, how would I know, in the silence you don't know, perhaps it's the door, perhaps I'm at the door, that would surprise me, perhaps it's I, perhaps somewhere or other it was I, I can depart, all this time I've journeyed without knowing it, it's I now at the door, what door, what's a door doing here, it's the last words, the true last, of it's the murmurs, the murmurs are coming, I know that well, no, not even that, you talk of murmurs, distant cries, as long as you can talk, you talk of them before and you talk of them after, more lies, it will be the silence, the one that doesn't last, spent listening, spent waiting, for it to be broken, for the voice to break it, perhaps there's no other, I don't know, it's not worth having, that's all I know, it's not I, that's all I know, it's not mine, it's the only one I ever had, that's a lie, I must have had the other, the one that lasts, but it didn't last, I don't understand, that is to say it did, it still lasts, I'm still in it, I left myself behind in it, I'm waiting for me there, no, there you don't wait, you don't listen, I don't know, perhaps it's a dream, all a dream, that would surprise me, I'll wake, in the silence, and never sleep again, it will be I, or dream, dream again, dream of a silence, a dream silence, full of murmurs, I don't know, that's all words, never wake, all words, there's nothing else, you must go on, that's all I know, they're going to stop, I know that well, I can feel it, they're going to abandon me, it will be the silence, for a moment, a good few moments, or it will be mine, the lasting one, that didn't last, that still lasts, it will be I, you must go on, I can't go on, you must go on, I'll go on, you must say words, as long as there are any, until they find me, until they say me, strange pain, strange sin, you must go on, perhaps it's done already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence, where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.

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